Poetry Corner – All The World’s

All The World’s

Constantly feel like I’m forced to act

In the world’s shittiest play

Although there’s no award

ceremony at the end

No applause

Just curtains

Upfront Reviews – The Bomb-itty of Errors

Upfront Reviews – The Bomb-itty of Errors

by Cameron Brtnik

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All the world’s a Bomb-itty of Errors
And all the men and women merely players;
They have their exits and their entrances,
And one man (or woman) in his time plays many parts…
 
     And in The Bomb-itty of Errors, the actors sure play many parts! A show filled with ill rhymes, sick flows, dope beats and Shakespearean slang is sure to amuse Shakespeare fans and hip hop heads alike! The play originating in New York, and adapted here by Brook Hall, is currently being showcased Nov. 18-Dec. 4 at The LAB Space in Taipei (by Qilian station on the red line) as part of his Butterfly Effect Theatre Company. “When I saw The Bomb-itty of Errors for the first time in NYC in the year 2000, I immediately put it on my bucket list for must-do shows.” If you’ve witnessed any of their past stage productions – God of Carnage, Ives’ Shorts, Tuesdays With Morrie – you know you’re getting top-notch entertainment, and high value for your money (700 NT). Living in Taipei, our dramatic arts and alternative entertainment choices are few; this is the best ticket money can buy. Coming from Toronto – a city highly praised for its arts and entertainment – one can appreciate what Brook is doing, raising Taiwan’s arts culture to world standards.
 
      Starring Airy Liu as Dromio, the feisty, ill lyric-spitting identical twin of Dromio, Meg Anderson as Antipholus of Ephesus (try saying that three times fast) and other comical characters – notably as the hilarious bumbling “emcee wannabe” postal boy, Steve Coetzee as Antipholous of Syracuse, and the memorable Hendelberg, a rhyme-dropping rabbi, the prolific Charlie Storrar as Dromio of Ephesus, and the hysterical Luciana, Adrianna’s sister (the initially confusing plot becomes more apparent as the story emerges), and last but definitely not least, DJ Cross Cutz dropping the beats and spinning the turntables throughout this lively, fun, and frantic farce. With such a limited cast playing such a vast array of characters, you’re sure to see characters do quick-changes that would impress Clark Kent, wigs flying off mid-performance, comical voice changes, all immersed in impressive emceeing that will leave your head spinning. When asked if it was difficult to memorize the lyrics, Charlie Storrar replied, “When I first read the script, it looked intimidating – very different to lines I’d had to learn in the past. But in the end the fact that the words are generally rhyming couplets made it like learning song lyrics, even the spoken parts. Being able to listen to the soundtrack on repeat also helped get the words into my head. I was off book in about a month.”
 
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     I first witnessed The Comedy of Errors at a “Shakespeare in the Park” event held in my hometown of Toronto two summers ago. As only a perfunctory fan of Shakespeare – I hadn’t read any of this plays since high school – it resparked my interest in the bard and especially live performance of Shakespeare’s plays (and helped me greatly in following the plot more sensibly this time around). So if you have 700 NT in your wallet (about $20 Canadian) and you have your heart set on spending it on the next X-Men movie, do yourself a favor and emerge yourself in the cultured forum of performance art. You’ll have an amazing time, meet like-minded people, and be smarter for it. With teeth, with eyes, with taste, with everything.
 
 
 
For your very own “Upfront Review” just send me a message on WordPress or via Instagram @instacam81
 
Cameron Brtnik is a freelance writer, reviewer, blogger and revived Shakespeare fan

Short Story – The Magician’s Assistant

The Magician’s Assistant

A Magical Fiction by Cameron Brtnik

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The Magician’s Assistant

    There was a thunderous applause reverberating throughout the room, coming from the audience as the lady stepped out of the box, fully intact and alive to be sure! The Sawing a Lady In Half trick never ceased to amaze audiences, even in this day and age of smartphones and catching Pokemon. The magician took the beautiful lady’s hand and bowed with her at the front of the stage, the applause always music to the magician’s ears. He lived by the audience’s feedback, and their applause was proof of their adoration. Amanda, the beautiful assistant, could care less. Her job wasn’t glamorous; she was a glorified contortionist. But she was really a talented escape artist, almost as good as Houdini – she could escape from locks, free herself from a straight jacket while hanging upside down, free her shackled hands while floating in a tank of water, and even break out of jails – but no one cared. They only cared about the magician, the “man who made the magic happen.” She didn’t hate Peter (The Magnificent Julio was his stage name, a moniker that neither resembled ‘Peter’ nor had anything to do with his ethnicity considering he wasn’t even a quarter Spanish), in fact they had a romantic fling time to time that she quite enjoyed. She especially liked when they did it after a successful show in the wooden box where she was usually accustomed to being alone in such a tight space. Amanda realized she enjoyed the claustrophobic-ness of it, especially with no audience to please but herself, where the trick was to come inside the box rather than out if it. She also enjoyed fucking on the the magic prop table, silks, locks and chains flying everywhere in the heat of passion.
 
     Amanda was fine with it. She had a goal: she would be “discovered” and move to Vegas where’d she’d have her own magic spectacle; this was just temporary. So she smiled in her skimpy dress, swallowed her pride and got on with the show, seven nights a week. After all, Julios was the best in the business, and without her the show would be nothing. If Peter replaced her with another girl – probably younger, attractive obviously, but with no experience – the show would go to shit! She was a modern-day Houdini, with a set of long legs to boot! She knew she was irreplaceable. She pushed the thought from her mind and ran backstage for a costume change; she would do the Metamorphosis illusion next and she needed to change into her skimpiest outfit: the glittery blue dress, its dangling frills hanging over her upper thighs. In the blink of an eye she would change places with the magician after being shackled and tied up in a large sack. It was Houdini’s first illusion, and one that was still performed today. It was all about “who performed the illusion the fastest” now, the record currently held by The Pendragons (damn those bloody Pendragons). The audience was always amazed like it was their first time seeing the illusion (hadn’t they seen that stupid masked magician expose this trick a decade ago? On a side note that guy actually improved business by making the “secret art of magic” more accessible to the lay person.)
 
     After a hugely successful show, the theatre manager came backstage to congratulate them and invite them out for celebratory drinks. “We’ll be there after teardown,” Peter said. “Mandy, I’d like you to meet someone. She’ll be helping out in the show from now on. Julia, come here.” This young, beautiful blonde came out of the change room (had she been there all night?) “Hi,” she said shyly, “I’m Julia.” “Amanda,” she said in return, although in a much colder tone of voice. “So…you’re a dancer?” Amanda managed in a clearly condescending tone. “Yes, well kinda, I’m..” “She’s an assistant,” Peter thankfully cut in. “Mandy, you’ll be training her over the next month. Just think of it as, “Double the beauty, double the entertainment!'” he announced excitedly. Amanda didn’t feel so excited. “Oh, okay..” she said more to herself than anyone in particular. “C’mon, let’s go celebrate!” Peter said, wanting to put an end to the obvious awkwardness.
 
     The next morning they were on the road visiting the next middle-of-who-gives-a-shit-nowhere town on their American tour. Amanda was teaching Julia how to to pick locks in the back of the trailer. Julia’s hand slipped and the bobby pin fell to the floor. Dumb blonde, Amanda thought to herself. Where does he get off hiring such untalented girls? Not including herself of course. “I got it!” Julia squealed and threw the shackles to the floor. “Great..” Amanda feigned. “What’s next?” the overly enthusiastic new assistant asked. How about seeing how long I can hold your head under water before air bubbles start floating up to the surface? “Let’s get to the rope ties I guess.” When they arrived at the theatre, Peter started unloading the props, while Amanda led Julia to the stage to go through all the choreography. Magic was as much about showmanship as as the trick itself, and what better showmanship than having two sexy ladies on stage misdirecting the audience’s eyes at all times (or at least Peter thought so anyway).
 
     After an hour of practice it was time to rehearse the Sawing A Lady In Half illusion, an audience favorite. First, she showed Julia how to step into the box like a lady, and where to position her hands, and the secret compartment for her feet. Amanda could contort her body into extremely tight spaces, and she was waiting for Julia to look at her like she was crazy. But suddenly Julia contorted her body into a pretzel, easily fitting into the claustrophobic space underneath. “Like this?” she asked innocently. “Yeah..you ditzy whore..perfect!” She suddenly had the disturbing image of Peter fucking her in this box, this same box at her audition: “Did I get the job?” Oh you got the job alright! “Where does the saw go?” snapping her back to reality. Amanda picked the saw up off the ledge of the table. It glinted in the stage spotlights. Usually Julio was the one who sawed her in half, but she knew how to do it; she’d watched him do it hundreds of times. She held it for a moment, feeling powerful at that moment, that she was in control for once. She expertly swung the saw into its grooves in the box and pushed downward, sawing her body in half, half-smiling at the thought of Julia missing the lower half of her body, her young gorgeous legs no longer attached to the… “Now look frightened,” she said as she removed the saw and pushed the box apart, splitting her right down the middle. “Now you can smile and wiggle your toes..but not really.” The mechanical feet did all that for her; even up close they looked real. She pushed the box back together, unlocked the latches, popped open the lid, and helped her “lovely assistant” out.
 
     Four weeks passed and it was Julia’s turn to get in the box. She had rehearsed it to the point where she was just as agile as Amanda, better even, and Peter felt it was time to give Julia her time in the spotlight. Amanda didn’t really care what Peter thought anymore. She was in the change room doing her makeup, daydreaming about…there was a knock at door. “Thirty minutes to show time!” She could hear the music echoing into the room as the audience shuffled in to find their seats. She put on the final touches and left the change room. As she made her way backstage, she passed by the box.. The box that was no longer hers, like she had been evicted and thrown out on the street. She paused there for long time… She had no idea how long because when she came to the stage manager was yelling at her, “You’re on!” She smiled Thank you you moron I’ve done this more times than you’ve been with women and she stepped out onto the stage to a welcoming roar. The music began, and she performed a flashy dance with Julio while the stagehands wheeled out the mysterious box. Julia appeared from stage left to an even more (to Amanda’s ears) welcoming applause – her young legs glistening in the bright lights, her perky tits perfectly buoyant in her glittery outfit and her white, shiny teeth glimmering intensely, seducing the audience, almost making them forget they were there to observe a magic… The Magnificent Julio and Amanda helped her into the box, her petite body agile and vibrant; no one wanted to see her precious body get maimed. Julia lay down inside the box, forcing her body into a human pretzel. They latched the straps together, locking the lid and trapping her inside… She looked out at the audience in feigned terror. The women in the audience felt anxious; the men were on the edge of their seats. Julio picked the saw up off the ledge of the table and banged on it with fist, causing it to wobble, its sharp teeth glistening under the spotlight – yes it was a real saw. He deftly waved the saw in the air, then expertly swung it down it into its grooves on the box. Now Julia looked frantic, her face twisted into a grimace, her toes frantically tapping at air, wishing she could escape at the last minute… He wasn’t sure, but he could’ve sworn he felt the box jiggle once he stuck the saw in…
 
     The Magnificent Julio pushed the saw downward….and it got stuck. Fifteen years performing this trick and it never got stuck. He felt a large bead of sweat roll down his forehead. He looked at Amanda, who was smiling wide at the audience, professional as always. He grabbed the handle and pushed down harder…still it seemed to be jammed. He couldn’t see Julia’s face from where he was standing – Amanda was blocking his view – but he assumed she was fine as he didn’t hear anything… So, with all his might, he pushed the blade down…and with some difficulty it struggled through, straight to the bottom. There was a palpable nervousness rising from the crowd; a normal reaction, but more than usual. Julio felt another large bead of sweat run down the other side of his forehead. He smiled, stealing a glimpse at the box out of the corner of his eye…and his heart sank. He could see tiny droplets of blood dripping off the saw’s teeth. He first prayed that the audience didn’t notice..then that Julia was alright – he hadn’t heard her scream. I’m sure it’s just a cut, nothing serious, she can contort her body better than any assistant I’ve ever had, the show must go on… Julio and his assistant walked to the ends of the box and pulled them apart, Julio praying there would be no more blood… He had to really put effort into pulling the halves apart, and when they finally separated, it felt like he was tearing a piece of meat off a bone… and then he realized the true horror of what had happened: He could now see (the audience could too) that Julia’s legs had been separated just above the kneecaps. A woman screamed in the audience; some others fainted. Julia’s head had gone limp; either a terrific actress or… Amanda had been calm this whole time. She realized she needed to take over at this point; she calmly pushed both ends of the box back together, a horrible squishing sound created from the collision. Julio was in a daze. Amanda walked to the front of the box, removed the saw (with some difficulty), and unbuckled the latches… She reached in to help the beautiful assistant out…but no one emerged. She grabbed Julia’s arm and pulled – her limp body popped up, head hanging to one side, her hair still done up in a bun. People in the audience were shouting now, many too uncomfortable to watch, many already leaving the theatre… “Ladies and gentlemen, there’s nothing to worry about, it’s all just a joke!” Julio attempted to calm the audience, to save his career… It wasn’t working and people were shouting frantically now: “Call an ambulance!” “He murdered her!” Boos rang out through the theatre, and Julio motioned for the stagehands to come quick and wheel the gurney away. “Ah, we will now take a short intermission, drinks will be served in the lobby…” Julio said in a shaky voice. Amanda was still smiling, through the entire ordeal, imagining her start in Vegas, in the spotlight, and the glamour…it would all be hers soon.
 

The End

Cameron is an English teacher, fiction writer, and professional magician living in Taiwan cbrtnik